Seven Great Action Movies Without A Sequel

When it comes to choosing your first film genre, you’ll probably hear a lot of reasons why movies aren’t considered an original genre. Perhaps the most acknowledged complaint about these films is that they don’t have amazing plots, the acting is awful, and all you can expect is a lot of explosions. In fact, quite honestly, there are some action movies that do just that, but they generally do it well.

In general, however, active gifs have a scary status mainly because they don’t seem loud enough for people to need to chat with later. Of course, discussing a useful film is a personal matter that depends on the preferences of each person.

Whatever the case, action movies show an improvement over some of the other movie categories out there: they occupy us. Isn’t that what you get from movies? Also, because they already do, they leave the crowd wanting more, thus producing the by-product. Overall, spin-offs aren’t great, but sometimes, you really get a surprise turn.

These moving images of action without the episodic elements make respect for the film feel like a discipline and a stage to a more prominent appreciation of what it offers to the viewer.

Here are seven films about performances that not only shouldn’t be seen (take note), but audiences have been left anticipating a sequel that will never come:

Zone 9: Leaving the crowd with a brilliant spectacle, this film presented to the audience many political and philosophical issues at the time of the delivery and cleverly raised questions about government resistance, immigration, and even being human.

Enter The Dragon: Bruce Lee, the anti-emotional legend, passed away shortly before this film hit the United States, catapulting him to posthumous fame. However, the movie is complete, there are a lot of unanswered questions, and Lee’s useless loss leaves you unhappy.

Saving Private Ryan: Probably the best depiction of a fight, this film ends with a totally inappropriate serious note because the audience just doesn’t have a vague idea of ​​how to treat themselves after what they saw.

300 – The story tells us that there are no episodic requirements because no one was left for it, but considering the visual dexterity of this film, viewers could not imagine anything better than to see more.

Fugitive – Apparently, men provided with a bed can be really dangerous. Although this film is all purposeful, it leaves the viewer with a bad taste in the mouth mainly due to the fact that you can’t help but wonder how anyone could proceed from where the film ends.

Fighter: Even though the hero does everything right and discovers the sense of harmony he’s been looking for for so long, the action he’s leaving behind just doesn’t end, does it? What will happen next?

Italian Action (adapted 1969) – This is the best thriller of all time. Nearly fifty years after the event, we are really capturing the understanding of what happened.

0 0 votes
Article Rating
Notify of
Inline Feedbacks
View all comments
Would love your thoughts, please comment.x